741 results found for “sample*”

A crescent moon sits high over deep blue, and beneath it a black wolf lifts its muzzle from a low rise, bare branches to one side, pale cloud drifting behind. Why the moon keeps turning up Wolves do not howl at the moon. They...

Two wolves stand on a snowy ridge with their heads tipped back towards a full moon, and the whole scene is worked in relief into the cover of this bronze toned pocket watch.The engraved coverThe cover is pierced as well as sculpted, so the...

Force across three panelsMost triptychs in our range are landscapes, where a wide format gives a scene room to spread. This one is hung the other way, three panels stacked into a tall column, so the format carries a single figure upward instead of...

A full moon takes up most of this print, drawn large enough that the craters and the dark seas show plainly across its cream face. In front of it a wolf stands on a low rock in flat silhouette, head tipped back, mid howl....

Inside the outline of a wolf's head and shoulders stands a forest in green half light. Tall bare trunks, a haze drifting between them, and a glow rising from the far side of the wood like an aurora caught low in the trees. The...

Ink line work and a night sky share one animal in this print. A white wolf stands in profile with its head lifted, face and ruff drawn in fine black pen strokes, while the chest and shoulder dissolve into a deep blue galaxy full...

Each half does a different jobOne side rendered as a real animal, the other dissolving into geometric planes. It is a modern convention and it works for a reason that is worth understanding.The realistic half tells you what you are looking at. Because it...

Two halves of one pictureTwo wolves meet nose to nose at the centre line. The one on the left is ice, pale blue and white, its coat streaming like frost off a ridge and its eyes almost shut. The one on the right is...

Cream light fills most of this design. A single black wolf stands in profile against a full moon so large it runs almost from edge to edge, craters picked out in pale gold, with a deep violet sky and a drift of thin cloud...

Teal does all the work in this scene. A grey and black wolf stands on a low rock inside a wood of bare tangled branches, head thrown right back, and a white moon burns through the twigs behind it. The colour runs from near...

The best argument for a temporary oneIf you are seriously considering permanent ink, a few days wearing the design in the actual spot is worth more than any amount of looking at it on a phone.What you find out is mostly practical. Whether you...

The arrangement that never failsA wolf's face fills the upper half of this one, looking straight out, and below the muzzle the image opens into a night forest where a small wolf stands on the rocks with its head raised and the moon shows...

The oldest shape we drawBefore writing, before recognisable pictures in most places, people were carving spirals.They are cut into the stones at Newgrange in Ireland, made around five thousand years ago and older than the pyramids at Giza. They appear in rock art across...

The sigil of the NorthDirewolves were real animals long before they became a house sigil. Aenocyon dirus ranged across North America through the Pleistocene, heavier in the jaw and shorter in the leg than a grey wolf, and the tar pits at Rancho La...

Where the pack goes, the eagle followsEagles and wolves keep real company in the wild. When a pack brings down an elk in deep snow, bald and golden eagles arrive quickly and settle on a nearby snag, because a wolf can open a hide...